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Friday 8 February 2013

Girls Pictures Wallpaper

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Girls Pictures Wallpaper Biography
Girls’ Generation debuted with their single “Into The New World” in 2007 and became a national phenomenon as the group achieved great success and gained popularity with all of their released songs. In 2009 and 2010, Girls’ Generation received the Grand Prize at the Golden Disk Awards, the most prestigious awards ceremony in the Korean music scene often referred to as the “Korean Grammy Awards”. The group also gained the highest recognition by taking the “Singer of the Year” award for 2 consecutive years. Girls’ Generation has demonstrated their growing international presence and global appeal by appearing in numerous commercials and advertisements in various Asian countries. Girls’ Generation began a foray into the Japanese music scene in August 2010 and topped various Japanese music charts. After their huge success in Japan, the group made the cover of Japanese economic weekly “Nikkei Business” magazine. By making comparisons between Girls’ Generation and Korean global companies, such as Samsung and Hyundai, the magazine drew a parallel between the secret of the band’s success and Korea’s growing business acumen in general. Girls’ Generation will release their new single ‘The Boys’ online worldwide. The song was composed and arranged by Teddy Riley, who is most prominently known for his work with the late Michael Jackson. The new album containing the single ‘The Boys’ will be released worldwide by Universal Music Group and is expected to generate great response from music fans across the globe. In the U.S., Girls’ Generation will release a Maxi Single in December through Interscope Records, a record label owned by Universal Music Group and home to artists such as Lady Gaga, Eminem, and The Black Eyed Peas.The Beautiful Girls have been a long time underground. OK, there was one tour of Brazil, the odd show here and there. But since Mat McHugh wound up touring his solo album, Seperatista!, in March 2009, he's been a virtual recluse, digging deep for new sound and meaning downstairs in his home studio on Sydney's northern beachesWhat he found surprised and thrilled him.

"The weird thing, is I don't even like much reggae," says the singer-songwriter and visionary of a radically evolving roots-rock ensemble that began infiltrating the world stage some seven years and four albums ago. "But the reggae I do like, I love, love, love."
The exotic passion that stirs the souls of Mat and his rhythm compadres, Paulie B and Bruce Braybrooke, begins to drip like some rare and potent elixir from the opening beats of their new album, Spooks.
Dig the spaced-out effects, skittering drums and dark blue horns of My Mind Is An Echo Chamber; the brash toasting and cops-and-rude-boys narrative of 10:10; the offbeat keys and dub undertow of Running.
The rich production and stylistic threads run deep, pure and almost mystically familiar — albeit a world apart from the ubiquitous Bob Marley borrowings of the Australian summer festival scenesters.
"I love the really early dancehall and rock steady stuff," says Mat. "It's as crusty and weird as early punk, to me. King Tubby, Johnny Osbourne . . . that's the more influential side of reggae, to me, the originators who led to the punky stuff like The Specials, The Clash, The Beat . . .
"When any style of music starts it’s a bit naïve and crusty and done completely out of passion and desire, instead of trying to fit into some scene or style. That early dancehall stuff is maybe one bass and a drum machine with some guy toasting over the top, but it's some of the coolest stuff you're ever gonna hear."
A similar spirit of naïve passion played a big role here, from the moment Mat began sampling Bruce's drums and piecing together rhythms under his own bass, guitars and keys. Unlike Learn Yourself (2003), We're Already Gone (2005) and Ziggurats (2007), Spooks was played almost exclusively by the songwriter over the aforementioned period of intense studio exploration.

"I look at the band as a co-operative," he says, "a group of friends and musos that I admire getting together and playing the songs that I write. I differentiate between live and studio. Live is where the guys come into their own and are SUPER important. But this recording was a radically different process."
Mat estimates that he discarded around 30 songs before they began to fall in the right direction. First to stick was the album's lead single, the edgy electric party starter, Don't Wait. Next was the brassy dub number, Rockers!, inspired by his love of the 1978 Jamaican film of that name. Then the work began.

"It was the hardest, most involved thing I've ever done," he says. "For the best part of the year I was piecing it altogether. It was monstrous, all-consuming. I didn't see anyone. I was up at nine o'clock and some days down there until two in the morning. I should have made 10 albums."
Except that distilling it all down to 11 tracks made for a far more focused and compelling album when the band decamped to Jim Moginie's Oceanic Studios to add brass, backing vocals and other embellishments. Spooks was mixed by Ian Pritchett, another constant thread though the band's changing ranks.
Things look better than OK for the Beautiful Girls.
"I see us really heading somewhere with this record," says Mat. "It's only now that I'm getting happy with where it is, getting into our own space, really being worthy of having people come to our shows.
"Onstage I'm looking forward to going really big and three-dimensional. I want to step beyond being just a band performing and have some really interesting sonic stuff going on. There's a lot of crazy atmospheric stuff happening on the record: weird, subtle things. I want to include it all.Breaking the ‘girl band curse’ by making it into the final five, ‘Little Mix’ look set to have a bright future, with a massive fan base already in tow. The girls already have over 170,000 twitter followers!

Tulisa’s little experiment, originally called ‘Rhythmix’ had to change their name half-way through the competition due to a charity already bearing that name. Simon Cowell has recently paid out £20,000 to the charity to stop a legal feud.
The band members include Jesy Nelson, 20, Perrie Edwards, 18, Leigh-Anne Pinnock, 18 and Jade Thirlwall, 18.
Jesy, formerly a bar maid from Essex, has been in the centre of a cyber-bullying ordeal since being on the show. People had been discussing her weight over Twitter. However, the X Factor star has bounced back and is showing the bullies she’s proud of who she is! Jesy’s guilty pleasure is Jeremy Kyle and her favourite food is Nandos.
Blonde Perrie, who was a waitress in her home town of High Wycombe, has said her party trick is doing an impression of a goat. We think she should stick to the singing! For her first audition, in which she performed solo, she sang Alanis Morisette’s ‘You Oughta Know’.
Selena Gomez, you better watch out! Leigh-Anne, of South Shields, has admitted Justin Bieber is her guilty pleasure. She also loves dancing at parties.
As much as Jade, also from South Shields, loves performing, it also seems she’s partial to a cosy night in! She loves Disney DVD’s and lasagne!
Celebrity fans include, Cher Lloyd, who stuck up for Jesy surrounding the bullying ordeal, One Direction who think the girls are ‘hot’ and Pixie Geldolf who reportedly said she was ‘too shy’ to approach the girlsata recent InStyle party.

Girls Pictures Wallpaper