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Hyakka Ryouran Samurai Girls Wallpaper Biography
Mirai - Genzai - Tsuka no ma no ai wa setsunasugiru
Mamoraretai dakishimetai doushite
Tada chiisana hana Kaze ni utatare tobasarenai youni ne
Kono mi wa towa no tabibitoLast vision for lastAll day long Kuchizusamu tanjunna omoiyari
Set me true Nukumori wo dare to wakatsu no?Midasareta yume no himitsu wo kaeshite
Kokoro de nagashita namida no aji
Tsumetai Raspberry mint
Hirihiri to amai yo...Yakusoku shita hazuMatte tsuka no ma no ai wa setsunakute
Mamoraretai dakishimetai doushite
Ano kireina hana Arashi no naka chirasarenai youni to
Furueru koe ga kienai(tu-tu-ru-tu-tu)Call on you Sabishiisa wo hontou ni kanjitara
Love me true Jibun kara tooi ni ikou ka?Kimagureni ukabu kotoba wa uso demo
Kokoro ga shinjita mukuna inori
Yasashii Strawberry dream
Ayafuyana hagotae...Shizuku de nurashiteSatte mitasareru? Koukai shita bakari
Unazukitai atatametai motto
Demo hisokani tobu ichizu ni naru watashi wo tsune ni sasou
Hohoemi kako wo shirazu niFor you Hitomi ga sawagu For me Futatabi deau
For last Riyuu motomeru tsunagari wa hanpa janai
Hitotsu nokoshita kibou no tane ga nani ki ni aoi me wo dashita
Dare to dare no...Dare to dare no egao de hibi wo kazarou?Matte tsuka no ma no ai wa setsunakute
Mamoraretai dakishimetai doushite
Ima satte mitasareru Koukai shita bakari
Unazukitai atatametai motto
Tada kireina hana Arashi no naka chirasarenai youni to
Furueru koe ga kienai
English translation
Future - Present - A single moment of love is too lonely
I want to be protected, I want to be embraced, why?
Just make sure this little flower isn't blown away by the wind
Find More lyrics at www.sweetslyrics.com
This body is an eternal travelerLast vision for lastAll day long Humming innocent sympathy
Set me true Who shall I share this warmth with?I return the secret of my disarranged dream
It has a taste of tear drops that flowed down my heart
Cold Raspberry mint
Stinging and sweet...I thought we promisedWait, a single moment of love is so lonely
I want to be protected, I want to be embraced, why?
Just make sure that beautiful flower isn't fluttered away by the wind
It's shivering voice will never disappear(tu-tu-ru-tu-tu)Call on you If you really feel loneliness
Love me true Are you going to go somewhere faraway from yourself?Even if those floating words you said on whim were a lie
My heart believed that pure prayer
A gentle Strawberry dream
A vague consistency... Dripping in raindropsWill you be satisfied if you leave? You only regretted things
I want to be bowed to, I want to be warmed, more
But you become whole-hearted as you fly, and constantly invite me
With a smile, not knowing my pastFor you My eyes flutter For me The two of us meet
For last The bonds of seeking a reason aren't half-baked
The single one I lost, the single seed of hope, somehow made a single sprout
With who and for who... With who and for who's smile do you decorate your days?Wait, a single moment of love is so lonely
I want to be protected, I want to be embraced, why?
Will you be satisfied if you leave? You only regretted things
I want to be bowed to, I want to be warmed, more
Just make sure that beautiful flower isn't fluttered away by the wind
It's shivering voice will never disappear
At the age of 24, Charlotte reluctantly married Charles Stetson, an artist whose proposal she had initially declined. A year later they had a baby girl, named Katharine Beecher Stetson, and Charlotte began to suffer from depression. After three years of suffering, which a trip to Pasadena, CA did little to abate, Charlotte agreed to undergo the “rest” treatment being espoused by Dr. S. Weir Mitchell, a leading physician of the day. The treatement included:
It was an extreme method intended to bring about the same state of patient dependence upon the clinician as being practiced by the Freudians in Europe. In the initial stage of the “rest” treatment, the patient could not leave her bed, sew, talk, read, write or even feed herself.
Mitchell’s instructions to Gilman after a month under his care were to return home and “Live as domestic a life as possible. Have your child with you all the time. . . . Lie down an hour after each meal. Have but two hours’ intellectual life a day. And never touch pen, brush or pencil as long as you live.”
It was too much for Charlotte and in 1888 she fled her husband and doctor to resettle in California. She began to be active as a suffragist lecturer. In 1892 she wrote her most enduring work, a short story critique of her experience under Mitchell’s care entitled “The Yellow Wallpaper” but it was her first book of poems In This Our World (1893) that established her as a writer. In 1894 she divorced Charles Stetson and sent her daughter back East to live with her ex-husband and his new wife, a friend of Charlotte’s whom she considered as, if not more, capable of raising young Katherine.
From 1894-1895 she served as the editor of the Impress, a feminist literary magazine and in 1897 she completed work on her groundbreaking Women and Economics (1898), in which she espoused that only by achieving economic independence could women truly achieve equality with men.
Gilman’s married her first cousin, a New York attorney named George Houghton Gilman, in 1900. Gilman’s notoriety as a leading lecturer on women’s rights coupled with the success of Women and Economics led to her inclusion in the International Congress of Women held in Berlin in 1903 and subsequent speaking tours of England and Europe.
From 1909-1916, she edited and published her own magazine The Forerunner in which many of her works first appeared, including: What Diantha Did, (1910), The Crux, (1911), Moving the Mountain, (1911), and Herland (1915).
Hyakka Ryouran Samurai Girls Wallpaper Biography
Mirai - Genzai - Tsuka no ma no ai wa setsunasugiru
Mamoraretai dakishimetai doushite
Tada chiisana hana Kaze ni utatare tobasarenai youni ne
Kono mi wa towa no tabibitoLast vision for lastAll day long Kuchizusamu tanjunna omoiyari
Set me true Nukumori wo dare to wakatsu no?Midasareta yume no himitsu wo kaeshite
Kokoro de nagashita namida no aji
Tsumetai Raspberry mint
Hirihiri to amai yo...Yakusoku shita hazuMatte tsuka no ma no ai wa setsunakute
Mamoraretai dakishimetai doushite
Ano kireina hana Arashi no naka chirasarenai youni to
Furueru koe ga kienai(tu-tu-ru-tu-tu)Call on you Sabishiisa wo hontou ni kanjitara
Love me true Jibun kara tooi ni ikou ka?Kimagureni ukabu kotoba wa uso demo
Kokoro ga shinjita mukuna inori
Yasashii Strawberry dream
Ayafuyana hagotae...Shizuku de nurashiteSatte mitasareru? Koukai shita bakari
Unazukitai atatametai motto
Demo hisokani tobu ichizu ni naru watashi wo tsune ni sasou
Hohoemi kako wo shirazu niFor you Hitomi ga sawagu For me Futatabi deau
For last Riyuu motomeru tsunagari wa hanpa janai
Hitotsu nokoshita kibou no tane ga nani ki ni aoi me wo dashita
Dare to dare no...Dare to dare no egao de hibi wo kazarou?Matte tsuka no ma no ai wa setsunakute
Mamoraretai dakishimetai doushite
Ima satte mitasareru Koukai shita bakari
Unazukitai atatametai motto
Tada kireina hana Arashi no naka chirasarenai youni to
Furueru koe ga kienai
English translation
Future - Present - A single moment of love is too lonely
I want to be protected, I want to be embraced, why?
Just make sure this little flower isn't blown away by the wind
Find More lyrics at www.sweetslyrics.com
This body is an eternal travelerLast vision for lastAll day long Humming innocent sympathy
Set me true Who shall I share this warmth with?I return the secret of my disarranged dream
It has a taste of tear drops that flowed down my heart
Cold Raspberry mint
Stinging and sweet...I thought we promisedWait, a single moment of love is so lonely
I want to be protected, I want to be embraced, why?
Just make sure that beautiful flower isn't fluttered away by the wind
It's shivering voice will never disappear(tu-tu-ru-tu-tu)Call on you If you really feel loneliness
Love me true Are you going to go somewhere faraway from yourself?Even if those floating words you said on whim were a lie
My heart believed that pure prayer
A gentle Strawberry dream
A vague consistency... Dripping in raindropsWill you be satisfied if you leave? You only regretted things
I want to be bowed to, I want to be warmed, more
But you become whole-hearted as you fly, and constantly invite me
With a smile, not knowing my pastFor you My eyes flutter For me The two of us meet
For last The bonds of seeking a reason aren't half-baked
The single one I lost, the single seed of hope, somehow made a single sprout
With who and for who... With who and for who's smile do you decorate your days?Wait, a single moment of love is so lonely
I want to be protected, I want to be embraced, why?
Will you be satisfied if you leave? You only regretted things
I want to be bowed to, I want to be warmed, more
Just make sure that beautiful flower isn't fluttered away by the wind
It's shivering voice will never disappear
At the age of 24, Charlotte reluctantly married Charles Stetson, an artist whose proposal she had initially declined. A year later they had a baby girl, named Katharine Beecher Stetson, and Charlotte began to suffer from depression. After three years of suffering, which a trip to Pasadena, CA did little to abate, Charlotte agreed to undergo the “rest” treatment being espoused by Dr. S. Weir Mitchell, a leading physician of the day. The treatement included:
It was an extreme method intended to bring about the same state of patient dependence upon the clinician as being practiced by the Freudians in Europe. In the initial stage of the “rest” treatment, the patient could not leave her bed, sew, talk, read, write or even feed herself.
Mitchell’s instructions to Gilman after a month under his care were to return home and “Live as domestic a life as possible. Have your child with you all the time. . . . Lie down an hour after each meal. Have but two hours’ intellectual life a day. And never touch pen, brush or pencil as long as you live.”
It was too much for Charlotte and in 1888 she fled her husband and doctor to resettle in California. She began to be active as a suffragist lecturer. In 1892 she wrote her most enduring work, a short story critique of her experience under Mitchell’s care entitled “The Yellow Wallpaper” but it was her first book of poems In This Our World (1893) that established her as a writer. In 1894 she divorced Charles Stetson and sent her daughter back East to live with her ex-husband and his new wife, a friend of Charlotte’s whom she considered as, if not more, capable of raising young Katherine.
From 1894-1895 she served as the editor of the Impress, a feminist literary magazine and in 1897 she completed work on her groundbreaking Women and Economics (1898), in which she espoused that only by achieving economic independence could women truly achieve equality with men.
Gilman’s married her first cousin, a New York attorney named George Houghton Gilman, in 1900. Gilman’s notoriety as a leading lecturer on women’s rights coupled with the success of Women and Economics led to her inclusion in the International Congress of Women held in Berlin in 1903 and subsequent speaking tours of England and Europe.
From 1909-1916, she edited and published her own magazine The Forerunner in which many of her works first appeared, including: What Diantha Did, (1910), The Crux, (1911), Moving the Mountain, (1911), and Herland (1915).
Hyakka Ryouran Samurai Girls Wallpaper
Hyakka Ryouran Samurai Girls Wallpaper
Hyakka Ryouran Samurai Girls Wallpaper
Hyakka Ryouran Samurai Girls Wallpaper
Hyakka Ryouran Samurai Girls Wallpaper
Hyakka Ryouran Samurai Girls Wallpaper
Hyakka Ryouran Samurai Girls Wallpaper
Hyakka Ryouran Samurai Girls Wallpaper
Hyakka Ryouran Samurai Girls Wallpaper
Hyakka Ryouran Samurai Girls Wallpaper
Hyakka Ryouran Samurai Girls Wallpaper
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