Source(google.com.pk)
Virtual Girl Wallpaper Biography
“The Yellow Wallpaper” provided feminist the tools on how to interpret literature in different ways. Lanser says the novel was a “ particularly congenial medium for such a re-vision…because the narrator herself engages in a form of feminist interpretation when she tries to read the paper on her wall”.[8] The narrator in the story is trying to find a single meaning in the wallpaper. At first she focuses on contradictory style of the wallpaper, it is “flamboyant” and also “dull” , “pronounced” yet also “lame” and “uncertain” (p. 13). She takes into account the patterns and tries to geometrically organize them but she is further confused. The wallpaper changes colors when light reflects and notices a distinct odor in which she cannot recognize (p. 25). At night the narrator within the complicated design of the wallpaper is able to see a women behind bars. Lanser argues that narrator was able to find “a space of text on which she can locate whatever self-projection”.[8] Lanser creates a relationship between the narrator and the reader. Just like the narrator as a reader, when one comes into contact with a confusing and complicated text, on tries to find one single meaning. “How we were taught to read” as Lanser puts it, is why a reader cannot fully comprehend the text.[8] The patriarchal ideology has kept many scholar from being able to interpret and appreciate novels such as “The Yellow Wallpaper”. Thanks to feminist criticism “The Yellow Wallpaper” has become a fundamental reading in standard curriculum. Feminists have made a great contribution to the study of literature but according to Lanser, are falling short because, “we acknowledge the participation of women writers and readers in dominant patterns of thought and social practice then perhaps our own patterns must also be deconstructed if we are to recover meanings still hidden or overlooked.[8]
Martha J. Cutter in her article "The Writer as Doctor: New Models of Medical Discourses in Charlotte Perkins Gilman's Later Fiction" discusses how in many of Charlotte Perkins Gilman's works she addresses this "struggle in which a male-dominated medical establishment attempts to silence women" (Cutter 1). Gilman's works challenge the social construction of women in patriarchal medical discourse by displaying women as “silent, powerless, and passive” who refuse treatment. At the time in which her works take place, between 1840 and 1890, women were exceedingly defined as lesser than—sickly and weak. In this time period it was thought that “hysteria” (a disease stereotypically more common in women) was a result of too much education. It was understood that women who spent time in college or studying were over-stimulating their brains and consequently leading themselves into states of hysteria. In fact, many of the diseases recognized in women were seen as the result of a lack of self-control or self-rule. Different physicians argued that a physician must “assume a tone of authority” and that the idea of a “cured” woman is one who is “subdued, docile, silent, and above all subject to the will and voice of the physician” (Cutter 3). A hysterical woman is one who craves power and in order for her to be treated for her hysteria, she must submit to her physician whose role is to undermine her desires. Oftentimes women were prescribed bed rest as a form of treatment, which was meant to “tame” them and basically keep them imprisoned. Treatments such as this were a way of ridding women of rebelliousness and forcing them to conform to social roles. In her works Gilman highlights that the harm caused by these types of treatments for woman i.e. “the rest cure” has to do with the way in which her voice is silenced. Paula Treichler explains "In this story diagnosis 'is powerful and public...It is a male voice that...imposes controls on the female narrator and dictates how she is to perceive and talk about the world.' Diagnosis covertly functions to empower the male physician's voice and disempower the female patent's". The narrator in “The Yellow Wallpaper” is not allowed to participate in her own treatment or diagnosis and is completely forced to succumb to everything in which her doctor and in this particular story, her husband, says. The male voice is the one in which forces controls on the female and decides how she is allowed to perceive and speak about the world around her.
Gilman's interpretation
Charlotte Perkins Gilman used her writing to express herself in a time when contradicting ideas of “True Womanhood” and “Women’s Rights” existed. Her writing’s purpose was to work toward her own rights as well as women’s rights on the whole. Through her various roles in society including author, philosopher, socialist, and feminist, Gilman embodied the fight to progress from true woman to free woman. As both woman and author, she observed the role of women in society through a critical lens. Gilman analyzed the mental decline and breakdown of women from factors including the lack of a life outside of the home, the oppressive forces of the patriarchal society, and the absence of progression due to the dominant concept of a woman’s sphere of the household. Through her work laying the foundation of contemporary women’s literature, Gilman paved the way for future writers such as Alice Walker and Sylvia Plath. [9]
In “The Yellow Wallpaper” Gilman portrays the main character’s insanity as a way to protest the medical and professional oppression against women at the time. While under the impression that husbands and male doctors were acting with their best interests in mind, women were being depicted as mentally weak and fragile. At the time, Women’s rights advocates believed that the outbreak of women being diagnosed as mentally ill was the manifestation of their setbacks regarding the roles they were allowed to play in a male-dominated society. Women were even discouraged from writing, because their writing would ultimately create an identity, and become a form of defiance for them. Charlotte Perkins Gilman realized that writing became one of the only forms of existence for women at a time where they had very few rights.[9]
Virtual Girl Wallpaper Biography
“The Yellow Wallpaper” provided feminist the tools on how to interpret literature in different ways. Lanser says the novel was a “ particularly congenial medium for such a re-vision…because the narrator herself engages in a form of feminist interpretation when she tries to read the paper on her wall”.[8] The narrator in the story is trying to find a single meaning in the wallpaper. At first she focuses on contradictory style of the wallpaper, it is “flamboyant” and also “dull” , “pronounced” yet also “lame” and “uncertain” (p. 13). She takes into account the patterns and tries to geometrically organize them but she is further confused. The wallpaper changes colors when light reflects and notices a distinct odor in which she cannot recognize (p. 25). At night the narrator within the complicated design of the wallpaper is able to see a women behind bars. Lanser argues that narrator was able to find “a space of text on which she can locate whatever self-projection”.[8] Lanser creates a relationship between the narrator and the reader. Just like the narrator as a reader, when one comes into contact with a confusing and complicated text, on tries to find one single meaning. “How we were taught to read” as Lanser puts it, is why a reader cannot fully comprehend the text.[8] The patriarchal ideology has kept many scholar from being able to interpret and appreciate novels such as “The Yellow Wallpaper”. Thanks to feminist criticism “The Yellow Wallpaper” has become a fundamental reading in standard curriculum. Feminists have made a great contribution to the study of literature but according to Lanser, are falling short because, “we acknowledge the participation of women writers and readers in dominant patterns of thought and social practice then perhaps our own patterns must also be deconstructed if we are to recover meanings still hidden or overlooked.[8]
Martha J. Cutter in her article "The Writer as Doctor: New Models of Medical Discourses in Charlotte Perkins Gilman's Later Fiction" discusses how in many of Charlotte Perkins Gilman's works she addresses this "struggle in which a male-dominated medical establishment attempts to silence women" (Cutter 1). Gilman's works challenge the social construction of women in patriarchal medical discourse by displaying women as “silent, powerless, and passive” who refuse treatment. At the time in which her works take place, between 1840 and 1890, women were exceedingly defined as lesser than—sickly and weak. In this time period it was thought that “hysteria” (a disease stereotypically more common in women) was a result of too much education. It was understood that women who spent time in college or studying were over-stimulating their brains and consequently leading themselves into states of hysteria. In fact, many of the diseases recognized in women were seen as the result of a lack of self-control or self-rule. Different physicians argued that a physician must “assume a tone of authority” and that the idea of a “cured” woman is one who is “subdued, docile, silent, and above all subject to the will and voice of the physician” (Cutter 3). A hysterical woman is one who craves power and in order for her to be treated for her hysteria, she must submit to her physician whose role is to undermine her desires. Oftentimes women were prescribed bed rest as a form of treatment, which was meant to “tame” them and basically keep them imprisoned. Treatments such as this were a way of ridding women of rebelliousness and forcing them to conform to social roles. In her works Gilman highlights that the harm caused by these types of treatments for woman i.e. “the rest cure” has to do with the way in which her voice is silenced. Paula Treichler explains "In this story diagnosis 'is powerful and public...It is a male voice that...imposes controls on the female narrator and dictates how she is to perceive and talk about the world.' Diagnosis covertly functions to empower the male physician's voice and disempower the female patent's". The narrator in “The Yellow Wallpaper” is not allowed to participate in her own treatment or diagnosis and is completely forced to succumb to everything in which her doctor and in this particular story, her husband, says. The male voice is the one in which forces controls on the female and decides how she is allowed to perceive and speak about the world around her.
Gilman's interpretation
Charlotte Perkins Gilman used her writing to express herself in a time when contradicting ideas of “True Womanhood” and “Women’s Rights” existed. Her writing’s purpose was to work toward her own rights as well as women’s rights on the whole. Through her various roles in society including author, philosopher, socialist, and feminist, Gilman embodied the fight to progress from true woman to free woman. As both woman and author, she observed the role of women in society through a critical lens. Gilman analyzed the mental decline and breakdown of women from factors including the lack of a life outside of the home, the oppressive forces of the patriarchal society, and the absence of progression due to the dominant concept of a woman’s sphere of the household. Through her work laying the foundation of contemporary women’s literature, Gilman paved the way for future writers such as Alice Walker and Sylvia Plath. [9]
In “The Yellow Wallpaper” Gilman portrays the main character’s insanity as a way to protest the medical and professional oppression against women at the time. While under the impression that husbands and male doctors were acting with their best interests in mind, women were being depicted as mentally weak and fragile. At the time, Women’s rights advocates believed that the outbreak of women being diagnosed as mentally ill was the manifestation of their setbacks regarding the roles they were allowed to play in a male-dominated society. Women were even discouraged from writing, because their writing would ultimately create an identity, and become a form of defiance for them. Charlotte Perkins Gilman realized that writing became one of the only forms of existence for women at a time where they had very few rights.[9]
Virtual Girls Wallpaper
Virtual Girls Wallpaper
Virtual Girls Wallpaper
Virtual Girls Wallpaper
Virtual Girls Wallpaper
Virtual Girls Wallpaper
Virtual Girls Wallpaper
Virtual Girls Wallpaper
Virtual Girls Wallpaper
Virtual Girls Wallpaper
Virtual Girls Wallpaper
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